The Seventeenth IASEMS Conference Affective Shakespeare and the Early Modern Imagination: Empathy, Voice, and Spectatorship

deadline for submissions: 
March 15, 2026
full name / name of organization: 
IASEMS Italian Association of Shakespearean and Early Modern Studies
contact email: 

Affective Shakespeare and the Early Modern Imagination:

Empathy, Voice, and Spectatorship

 

The Seventeenth IASEMS Conference

University of Naples Federico II, Naples, 28–30 May 2026
Convenors: Michele Stanco, Angela Leonardi, and the IASEMS Executive Board

 

The Seventeenth IASEMS Conference explores how Shakespeare and early modern culture fashioned, staged, and theorised affective experience, with a particular focus on empathy both as a mode of knowledge and a cultural and embodied practice. The conference examines how Shakespeare’s works, and early modern English literature more broadly, engage audiences and readers at affective and empathic levels through the interplay of language, poetic form, imagery, musicality, rhetorical figures, the embodied power of acting, theatre architecture, and the dynamics of performance.

Building on developments in performance studies, cognitive and affective humanities, and early modern literary scholarship, the conference approaches Shakespearean theatre as a site of cognitive and affective simulation capable of activating emotional intelligence and ethical reflection. It interrogates how affective and empathic experience was staged, conceptualised, and theorised within the cultural and literary milieu of the sixteenth and seventeenth centuries, and considers how theatrical, poetic, and rhetorical practices shaped forms of emotional knowledge and intersubjective engagement.

The conference welcomes interdisciplinary and methodologically innovative contributions engaging with performance studies, cognitive and affective humanities, sound and voice studies, and practice-informed research. We welcome papers that examine empathy not only as a theoretical construct but also as a cultural and embodied practice, with attention to voice, listening, sound, rhythm, silence, and spectatorship as key affective vectors in early modern drama.

The conference includes a graduate session open to PhD candidates and researchers who have been awarded their doctorate within the past five years. Applicants wishing to be considered for the graduate session should indicate this at the time of submission.

 

Suggested topics include, but are not limited to:

  • empathy and literature
  • rhetorical strategies and figures of pathos
  • affect, race, and gender
  • grief, care, passion, compassion, and cruelty
  • acting, performance, theatre architecture, and spectatorship

Keynote Speakers: Terri Bourus (Florida State University); Rory Loughnane (University of Kent); Gary Taylor (Florida State University).

Proposals for twenty-minute papers are invited. Please send a 500-word abstract and a 200-word curriculum vitae by 15 March 2026 to info@iasems.org.

Notification of acceptance will be sent by 31 March 2026.

Selected papers will be considered for publication in a peer-reviewed collection or a special issue of an academic journal, edited by the conference convenors with the support of the IASEMS Executive Board.