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#MAKE: Methods, Atmospheres, Knowledges, Energies
Friday, October 23 to Sunday, October 25, 2026
Vancouver, Canada
Let’s call it “time work”: Those practices that negotiate the relations between the living and the dead. Time work is not merely conducted by archivists and historians, but by grave diggers and undertakers, documentary filmmakers and memoirists, politicians, war journalists, practitioners of living traditions, speakers of dead languages, as well as by any and all who keep something – a story, a trinket, an heirloom, a song – holding onto it to remember. Time work is not easily done without feeling; It is driven by the weight of mattering, it is attention called by the fact that now – this, ‘our’ now – is in-part composed by the shadows of what and who came before.
We invite in-person or hybrid submissions on any aspect of the medieval studies and their related topics, as well as short reports on ongoing projects, research or funding opportunities, or pedagogical approaches you’d like to share. We also invite in-person and hybrid individual or panel round table submissions addressing the following topics:
International Conference “Pleasure and Pain in Women’s Writing”
Organized by IWWA (International Women’s Writing Association)
and the L&GEND Research Group
deadline for submissions:
April 24, 2026
contact email:
9th-11th September 2026
G. d’Annunzio University of Chieti-Pescara, Italy
Conference Venue: Department of Modern Languages, Literatures and Cultures, Pescara
Throughout its consolidation as an academic discipline, museum studies have tended to gravitate around major national and international museums, their emblematic collections, and the management models they have established as standards. These institutions, mostly located in urban centers and supported by solid structures of funding, research, and public outreach, have shaped a “canon” that has influenced not only academic agendas but also collective imaginaries about what a museum is (and what it should be).
The year 2026 marks the centenary of Michel Foucault’s birth, a milestone that invites a profound reassessment of a thinker whose "grey, meticulous" genealogies have fundamentally altered the landscape of the humanities. For the students of literature, Foucault remains an indispensable figure, not merely as a philosopher of the prison or the clinic, but as the premier architect of the "space of language." His move to dissociate the text from the sovereign "Author", famously articulated in his 1969 essay What is an Author?, transformed the literary work from a vessel of personal genius into a site of discursive struggle.
In 1966, Seamus Heaney published Death of a Naturalist, the collection that would launch his career and establish him firmly in the public eye as a poet of place whose local accents and autobiographical bent marked a new direction in twentieth century Irish poetry. In the same year, Heaney accepted a lectureship at his alma mater, Queen’s University Belfast, and made his first appearance on Ireland’s Late Late show, reading Blackberry Picking and gaining a mass audience thanks to the power of broadcast media.
Call for Papers:
DEADLINE EXTENDED
Writing the Truth through a Fictional Lens:
Comparing Sinophone and Anglophone Literatures and Cultural Products
Edited by Chi Sum Garfield LAU, Kelly Kar Yue CHAN and Chi Chun CHAN