/04
/03

displaying 1 - 8 of 8

MMLA Antiracism Permanent Section

updated: 
Monday, April 6, 2026 - 3:13pm
Cedric Burrows/Midwest Modern Language Association
deadline for submissions: 
Friday, April 24, 2026

Archives are not neutral: they tell stories about who counts, whose experiences are remembered, and whose are erased. For centuries, racial hierarchies have shaped the preservation of knowledge, leaving silences where Black, Indigenous, and other marginalized voices should be. The Antiracism Permanent Section of the MMLA invites submissions that move beyond critique, asking how we can reimagine, rebuild, and transform the archive to reflect justice, equity, and shared humanity.We are especially interested in work that explores:

PAMLA 2026: Ecocriticism (standing session co-sponsored by ASLE)

updated: 
Monday, April 6, 2026 - 3:05pm
Molly Porter and Christina Shiea / Association for the Study of Literature and Environment (ASLE)
deadline for submissions: 
Friday, May 15, 2026

Panel: Ecocriticism (standing session) co-sponsored by ASLE

PROPOSAL SUBMISSION DEADLINE: Fri May 15, 2026

Submission link: https://pamla.ballastacademic.com/Home/S/20111.

 

Conference: Pacific Ancient and Modern Language Association (PAMLA)

Conference Theme: "Our Ruling Classes: Culture, Power, Conflict”

British Literature and Culture to 1700 (PAMLA Session)

updated: 
Friday, June 5, 2026 - 11:03pm
Pacific Ancient and Modern Language Association (PAMLA)
deadline for submissions: 
Tuesday, June 30, 2026

CONFERENCE

2026 PAMLA Conference, taking place November 12–15 at the Hyatt Regency Seattle

SESSION/PANEL ABSTRACT

Call for Chapters: Edited Collection on Argentine Horror Cinema

updated: 
Monday, April 6, 2026 - 3:04pm
Fernando Gabriel Pagnoni Berns
deadline for submissions: 
Monday, June 15, 2026

Since the international success of Aterrados and Cuando acecha la maldad, both directed by Demián Rugna, Argentine horror cinema has gained renewed global visibility and critical attention. This resurgence has sparked increasing scholarly interest in the field, positioning Argentine horror as a key site for the exploration of national anxieties, aesthetic innovation, and transnational circulation.

CFP: Intermediality in Communication. Translation, Media, Discourse.

updated: 
Monday, April 6, 2026 - 3:04pm
Kaunas University of Technology
deadline for submissions: 
Saturday, April 25, 2026

Research group “Translation and Language Studies” (Faculty of Social Sciences, Arts and Humanities, Kaunas University of Technology) is organising an international conference on linguistics, discourse, media, communication, translation, cultural literacy and impact on society “Intermediality in Communication: Translation, Media, Discourse” held in Kaunas, Lithuania.

The scope of the conference includes 8 thematic sections with their own set of topics:

Linguistics. This section aims to examine the current directions in linguistic research, particularly focusing on how language interacts with different forms of media. 

Shakespeare and Shakespearean Criticism

updated: 
Monday, April 6, 2026 - 3:04pm
Krislyn Zhorne / Midwest Modern Language Association
deadline for submissions: 
Saturday, April 25, 2026

 

MMLA 2026 Convention Theme: "After the Archive"  (https://mmla.memberclicks.net/call-for-papers)Meeting Dates: 12-14 November 2026Meeting Location: voco Chicago Downtown (350 W Wolf Point Plaza)

Presentation Length: 15 Minutes (7-8 Double-Spaced Pages)
Submission Materials: 250-Word Abstract and CV
Submission Deadline: April 25, 2026

Esotericism in the Comics of Alan Moore

updated: 
Monday, April 6, 2026 - 3:04pm
Nick Katsiadas / Slippery Rock University
deadline for submissions: 
Wednesday, July 1, 2026

Many notable comic book scholars highlight Alan Moore as one of the most ambitious writers in mainstream American and British comics. Along with writers like Grant Morrison and artists like Dave McKean, Moore was part of the so-called “British Invasion” of the American comic book industry in the 1980s, and artists of this period are credited as bringing an air of credibility as well as transforming the artistic standards of the medium. Greg Carpenter, for instance, likens the work of these artists to “Marlowe, Shakespeare, and Jonson, elevating the English language into a vehicle for poetic drama.