Latin Asian Entanglements: Critical and Creative Responses to Mass Deportation Today This is a CFP for two special sessions at the PAMLA conference in Seattle from November 12-15, 2026. Critical and creative proposals for these linked roundtables can be submitted at the links below

Conference online (via Zoom): 28-29 May 2026

CFP: 

          It is widely known that ideologies of racism, nationalism, and xenophobia are dangerous and spread all over the world. We want to examine these terms as much as possible, from many perspectives and variable aspects: in politics, society, psychology, culture, and many more. We also want to devote considerable attention to how the phenomena of racism, nationalism and xenophobia are represented in artistic practices: in literature, film, theatre or visual arts.​      

This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.