The Elizabeth Bowen Review is an open access online journal, publishing essays on all aspects of Elizabeth Bowen’s work and life.  The Editors are now accepting submissions for Volume Eight. The focus for the volume is ‘Why Bowen Matters’, the title of the symposium organised by the Irish Writers’ Centre in June 2026, but essays on any area of her life and work will also be welcome. Completed essays should be submitted by 30th September 2026. Essays should be no more than 6,000 words in length excluding bibliography and footnotes, and use the Harvard referencing system. All essays are subject to double blind peer review.

This panel considers the often overlooked presence of flora and fauna in early modern print, whether they appear as marginalia, within printers’ ornaments, or as materially integral to books. Animals and plants always carry symbolic value—a single image sometimes carrying diametrically opposed values—and participate in a broader network of signification through emblems, printers’ ornaments, marginalia, and engraven images. Do those values come into tension with each other via the margin, the marginal, and the marginalized? In what ways do peripheral plants and animals comment on questions of identity, like gender, race, or disability?

"Making Trouble: Subversions and Reclamations in American Imaginaries"
RIAS Vol. 21, Fall-Winter (2/2028)

This issue of RIAS invites contributions on the theme of “Making Trouble: Subversions and Reclamations in American Imaginaries.” Engaging ongoing debates in global American Studies on power, representation, dissent, and cultural transformation, the issue seeks contributions that examine how American cultural, political, and social imaginaries are challenged, reworked, and reclaimed across diverse historical and geographical contexts. It invites interdisciplinary perspectives from the global field of American Studies and welcomes submissions from scholars worldwide.

The Hispanic Caribbean literary canon of the 19th and 21st centuries—spanning Cuba, Puerto Rico, and the Dominican Republic—frequently wrestles with the complex dynamics of narrative erasure and authorial control. While these vibrant traditions offer profound insights into regional identity, certain texts replicate systemic marginalization by silencing minoritized characters or speaking entirely for them or over them. Whether rendering Afro-Caribbean, Indigenous, queer, or working-class figures completely voiceless, or problematically assuming their perspectives through a privileged lens, authors within this geographic sphere can inadvertently reinforce colonial and class hierarchies.

“Science and Sensibility: Method Meets Art”
A Transdisciplinary Conference

Date: October 17-18, 2026
Location: University of Oxford, UK and online

Conference Webpage: https://labrc.co.uk/2026/06/15/science-and-sensibility-2026/

International Conference

The Artificial Mind: Art and Philosophy after AI

24-25 September 2026

National Gallery of Art

22 Konstitucijos Ave. 

Vilnius, Lithuania

The title “Artificial Mind” references Claude Lévi-Strauss’ The Savage Mind (La Pensée sauvage (1962), a foundational work in anthropology, in which he argues that “savage” and “civilized” thought share the same epistemological architecture – differing not in structure but in mode of operations. While the “civilized” engineer works with purpose-built concepts and tools toward a specific end, the “savage” bricoleur thinks with whatever is at hand, constructing new meanings from fragments.