Call for Chapters

Horror has long been described as a genre about the unknown — the thing lurking just beyond the edges of civilization. But as Stephen Graham Jones (Blackfeet Nation) has written, horror uniquely allows "two timelines — the past and the present, the legacy of colonialism and the world of the story — to simultaneously exist. Not just exist, but intersect."[1] It is this capacity for temporal and cultural intersection that has made horror and the Gothic not merely accessible to Indigenous writers, but essential.