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Dalit Theatre of Haryana

updated: 
Sunday, July 19, 2026 - 7:19am
Mahatma Gandhi Central Univeristy
deadline for submissions: 
Wednesday, September 30, 2026

Haryanvi Dalit theatre occupies a highly marginalised position within the broader landscape of Indian theatre. It may aptly be described as “the marginalised among the marginalised,” as it has remained largely excluded from both mainstream theatre studies and Dalit cultural historiography. Haryanvi Dalit Swang theatre was active long before the Dalit Panther Movement, but it received little attention due to its lack of publication and translation into English. This book seeks to recover, document, and critically examine the neglected legacy of Haryanvi Swang, with particular emphasis on its Dalit traditions and practitioners, thereby contributing to a more inclusive understanding of Indian theatrical heritage.

Embodied Ecologies and Empowered Communities: Experiential Pedagogies for Environmental Studies

updated: 
Thursday, June 25, 2026 - 9:21pm
Northeast Modern Language Association
deadline for submissions: 
Wednesday, September 30, 2026

This panel invites theoretical and pedagogical explorations of experiential approaches to teaching environmental studies in higher education through the frameworks of new materialism, transcorporeality, affect theory, and embodied pedagogy. Aligning with NeMLA 2027’s theme, “Empowering Communities,” the panel examines how environmental learning can move beyond hierarchical and text-centered models toward collaborative, community-oriented, and experiential forms of knowledge production.

Between Screens: Video Games, Film, Television and Transmedia Exchange

updated: 
Thursday, June 25, 2026 - 4:50pm
Dr Michael Samuel (University of Bristol) and Dr Richard Cole (University of Bristol)
deadline for submissions: 
Friday, August 7, 2026

Between Screens: Video Games, Film, Television and Transmedia Exchange

Edited by Dr Michael Samuel and Dr Richard Cole

Adaptation is a dialogic process, a creative exchange across content production and context rather than an attempt at fidelity. Recent trends in adaptation studies reflect this complexity. Videogames exist within a vast ecosystem of transmedia storytelling and experiences, yet scholarship on adaptation and video games remains limited.

“The Grandeur That Was Rome”: The 18th International F. Scott Fitzgerald Society Conference, June 21-28, 2027

updated: 
Thursday, June 25, 2026 - 3:23pm
F. Scott Fitzgerald Society
deadline for submissions: 
Tuesday, September 1, 2026

Rome and Capri, 21–28 June, 2027

F. Scott Fitzgerald visited Italy on two distinct occasions: first in the spring of 1921 during his and Zelda’s long-deferred honeymoon trip, and again from late 1924 to early 1925 during his unsuccessful attempt to economize. While the Fitzgeralds made brief stops in Venice, San Remo, Portofino, Savona, Pisa, Fiesole, Florence, and Naples, it was in the two host sites of this conference—Rome and Capri—that he spent the most time. It was here that he found inspiration for some of his most celebrated works, as well as several others that remain underexplored.

 

From Experience to Insight: Advancing Critical Reflective Practice in Community Engaged Learning

updated: 
Thursday, June 25, 2026 - 1:38pm
Malama Tsimenis, University of Toronto Scarborough (UTSC)
deadline for submissions: 
Wednesday, September 30, 2026

Reflection is a key part of Community-Engaged Learning (CEL), but it is not always used in ways that fully support student learning. This panel will look at how reflection can be designed more intentionally to help students think more deeply about their experiences in community settings. Rather than simply describing what they did, students can use reflection to connect their experiences, academic learning, and larger social issues.

THE SOUTHEASTERN RENAISSANCE CONFERENCE

updated: 
Wednesday, July 8, 2026 - 7:54am
THE SOUTHEASTERN RENAISSANCE CONFERENCE
deadline for submissions: 
Wednesday, July 8, 2026

The Southeastern Renaissance Conference (SRC) invites submissions for presentation at our 83rd Annual Meeting, which will be hosted by the University of Tennessee Knoxville and its Marco Institute, to be held from Friday, October 23 to Saturday, October 24, 2026.
The organizers will consider papers on any topic related to the Early Modern / Renaissance period.

Reproductive (Un)silencing: Empowering Communities Through Creative Writing

updated: 
Thursday, June 25, 2026 - 11:22am
Laura Lazzari (Georgetown University)
deadline for submissions: 
Wednesday, September 30, 2026

In the definition given by Podnieks, matrifocal literatures are written and narrated by mothers in the first-person or limited third-person voice, rendering maternal identity and experience from subjective perspectives. Such narratives (re)value the significance and meaning of maternal figures in cultural, social, and national arenas, and often contest or negotiate traditional ideologies of the “good” mother as self-sacrificing, nurturing, and sexless with her antithesis, the “bad” mother. In the last few years, we have seen the rise of matrifocal writings published to break taboos about previously silenced reproductive experiences, create a sense of community, support, and care, and, overall, empower people.

Genre and Genre Fiction in the Twenty-First Century

updated: 
Thursday, June 25, 2026 - 11:08am
University of Basel
deadline for submissions: 
Friday, August 14, 2026

Call for Papers

Genre and Genre Fiction in the Twenty-First Century

University of Basel

May 14-15, 2027

 

The Work of Chastity (RSA 2027)

updated: 
Thursday, June 25, 2026 - 9:42am
Renaissance Society of America annual meeting 2027
deadline for submissions: 
Friday, July 24, 2026

 

With that her angels face, vnseene afore,

Like to the ruddie morne appeard in sight,

Deawed with siluer drops, through sweating sore;

But somewhat redder, then beseem'd aright,

Through toylesome heate and labour of her weary fight. 

Edmund Spenser, The Faerie Queene, IV.vi.19

 

Ecologies of Attention: Literature and Pedagogies of the More-than-Human

updated: 
Thursday, June 25, 2026 - 8:17am
Mussarat Shahid/ NeMLA
deadline for submissions: 
Wednesday, September 30, 2026

Today's ecological problems demand not only ecological awareness but also a fundamental rethinking of the human-nature relationship with the more-than-human world. Increased climatic change, species extinction, ecological degradation, and planetary instability. Challenge anthropocentric assumptions where humans are seen as separate from, superior to, or sole interpreters of nature.

LIFE at its Limits: Medicine, Literature, Philosophy

updated: 
Thursday, June 25, 2026 - 4:12am
Department of English Studies, Eötvös Loránd University, Budapest, Hungary
deadline for submissions: 
Friday, September 4, 2026

LIFE at its Limits: Medicine, Literature, Philosophy 

Department of English Studies, Eötvös Loránd University, Budapest, Hungary 

10–12 December 2026

 

Black Aesthetics and the Affordances of Photography, International Conference

updated: 
Thursday, June 25, 2026 - 3:18am
Nicole Schneider, Amerika-Institut, LMU Munich
deadline for submissions: 
Tuesday, September 15, 2026

Black Aesthetics and the Affordances of Photography

International Conference, Amerika-Institut, LMU München

Philologicum, 9-11 June 2027

 

Thinking through and with the concept of Black Aesthetics this conference addresses the Affordances of Social Justice Photography in order to consider the medium’s possibilities toward placemaking, activism, and social justice as well as the varied agencies inherent in photographic images and in different processes of looking.

Translating Emotions in Medieval Europe: Modes, Models, and Cultural Strategies

updated: 
Thursday, June 25, 2026 - 3:09am
The Medieval Translator / University of Trento, Italy
deadline for submissions: 
Wednesday, September 30, 2026

Translating Emotions in Medieval Europe: Modes, Models, and Cultural Strategies

 

In recent decades, the upsurge of emotion studies within the field of Medieval Studies has contributed to reshaping its borders, revealing that medieval affectivity is a dynamic cultural construct that invites cross-cultural and comparative approaches. At the same time, translation in the Middle Ages was rarely a literal, word-for-word process; rather, it functioned as an act of cultural adaptation, political appropriation, and linguistic innovation.