Crossing the Boundaries 2013: Dis/Place
April 26-27th, 2013
A multidisciplinary, multivocal academic conference with a global geographic and broad temporal reach, presented by the Art History Graduate Student Union
Ariella Azoulay, Brown University
DIS/PLACE: To remove or shift from its place; to put out of the proper or usual place; to remove from a position, dignity, or office; to remove, banish; to oust (something) from its place and occupy it instead; to take the place of, supplant, 'replace.'
The Art History Graduate Student Union at Binghamton University invites submissions from any historical or disciplinary approach that consider the subject of the placement and/or displacement (of knowledge, people, groups, and objects) for the 21st Annual Crossing the Boundaries Conference. Propelled by a longstanding commitment to bring forth exceptional critical research, this year's conference aims to investigate shifts and transformations in global societies, while aspiring to position them in a historical perspective. Specifically, we aim to consider how technologies, migration, archiving and visibility are not only utilized by and incorporated into apparatuses of power, but also how they have been (re)presented, understood and conceptualized from pre-modern eras to the present day. Current civic and international disputes warrant an investigation of historical gatherings, modes of circulation and dissemination vis-à-vis the politics and mechanism of the visual (whether of the photographic image, technologies of surveillance, portraiture and so forth) and their possible appropriation into practices of governance.
Potential topics might include (but are not limited to):
Production of visual knowledge and meaning
Civil history of zones of conflict and their presentation in media
Revolutions and visual media
Archiving machineries and procedures
Photographic and visual technologies of surveillance
Mechanisms of visual representations
Cultural traditions and historical change
Migration of knowledge and peoples
Discourses of identities and differences
Museum practices and recontextualization
Consumption and dissemination of representations
Political positions and their emergence in art
Representations of social and political memory
The wide scope of this theme reflects our interest in creating a multi-disciplinary, geographically and historically unbounded forum for critical examination of the roles images have played in shaping both the past and the present.
**We additionally welcome submissions from artists whose work encompasses similar themes and concerns.
Proposals for individual papers (20 minutes maximum) should be no more than 400 words in length and may be sent by email, with a current graduate level CV to email@example.com (Attn: Proposal). Those wishing to submit hard copies of the proposal and CV should forward them to: Art History (Attn: Crossing the Boundaries), Binghamton University, P.O. Box 6000, Binghamton, NY 13902-6000. We also welcome proposals for integrated panels. Panel organizers should describe the theme of the panel and send abstracts with names and affiliations of all participants along with current CVs. A panel should consist of no more than three papers, each twenty minutes in length. Deadline for submissions is February 1, 2013.