FERAL FEMINISMS – CFP ISSUE 3 – Feminine Feelers // Deadline – 15 March 2014
Feral Feminisms (http://feralfeminisms.com), a new independent, inter-media, peer reviewed, open access online journal, invites submissions for a special issue entitled "Feminine Feelers," guest edited by Zorianna Zurba. Submitted contributions may include full-length academic essays (about 5000 – 7000 words), shorter creative pieces, cultural commentaries, or personal narratives (about 500 – 2500 words), poetry, photo-essays, short films/video (uploaded to Vimeo), visual and sound art (jpeg Max 1MB), or a combination of these. Please direct inquiries and submissions to Guest Editor, Zorianna Zurba zorianna[at]gmail[dot]com.
Prior to the recent Affective Turn in critical and cultural theory, feminist theory and philosophy had already been critiquing the role of rationality and the exclusion of emotion in Western thought. Elspeth Probyn (1993) argued for the inclusion of experiential accounts in understanding the relationship between feminist epistemology and ontology; and, Alison Jaggar (1989) worked to restore inquiry as the wisdom of love to Western epistemology by validating emotional acumen as a highly developed skill. For Jaggar, the one who feels different is an emotional outlaw. Emotional outlaws are a kind of precursor, grandmother or godmother, to Ahmed's (2010) affect aliens: the feminist killjoy, who is angered by the sexist joke, or the melancholic migrant, who longs for something lost, or the unhappy queer, whose happiness is already impossible. Claire Hemmings (2012) has argued that being outside of emotional norms can offer a kind of unification, where affective dissonance is a starting point for feminist politics and can encourage affective solidarity.
But what of a return to previous conceptualizations of feeling in understanding the feminine and feminism? Luce Irigaray (1991), for example, writes of the erasure of the figure of the female lover and the simultaneous loss of the expression of feminine carnality, female divinity, and the representation of the female body. In light of these and other recent works (Cvetkovich, 2012; Grosz, 2011), how might we consider moving forward by taking into consideration feminine feelings?
Feminine Feelers are flustered, fraught, and feral. Feminine Feelers recall feminine modalities of feeling that have gone otherwise. Feminine Feelers ponder the position of emotional misfits such as female mystics, poets, artist, grandmothers, godmothers, cyborgs, golems, lovers, and Other(ed) figures. Feminine Feelers also highlight moments in feminist thought which illuminate the role of feelings and accounts of the body. What challenges does the turn to affect pose to feminist theory? How might we cultivate the sensory in order to tune into what is going on? Is the female an outsider, or is the feminist the outsider? How does outsider status offer a critical distance from cultural and emotional hegemonies? Must this distance be maintained in order to preserve difference?
This special issue of Feral Feminisms seeks to bring together scholars, activists, and artists to think through and feel through categories. Submitted contributions may include papers, visual art, film, poetry and literary pieces. Submissions are encouraged to address, but are not limited to, the following topics:
Cults of the feminine
Figures and examples: emotional outlaws, affect aliens, fantastic feelers
Vocabularies of feeling
Feminine and feminist genealogies
Theoretical and methodological disjunctures within feminist and queer phenomenology, affect studies, cultural emotion studies, cultural anthropology
Art and literature movements and their relationship to affects: the new sincerity, Remodernism, etc.
Edges, excesses, and limits of Feminine Feelers and feminine feelers
Animality, feelings, and non-human animals
For submission guidelines, please see the submission guidelines page (http://feralfeminisms.com/submission-guidelines/).