CFP: Tarantino’s Moral Universe, NEMLA 2015 Conference, Toronto, 4/30-5/3 2015

full name / name of organization: 
Andrew Schopp
contact email: 
andrew. schopp@ncc.edu

Quentin Tarantino’s films situate characters within groups/institutions that are morally suspect (e.g., drug dealers, hit men, assassin squads, Nazi Germany, American slavery); in doing so his films interrogate the parameters within which we frame moral codes. While we can trace such moral inquiry back to Pulp Fiction, where hit men paused to debate the morality of massaging your boss’s wife’s feet, the stakes of his filmic investigations have become increasingly more historically and culturally significant as his embrace of the revenge drama has taken on Nazism in Inglourious Basterds and American slavery in Django Unchained. In the process, his films both revitalize and meld filmic genres (gangster, samurai, family melodrama, war, western, blacksploitation, etc). This panel seeks papers that trace Tarantino’s moral vision, especially analyses that consider how his films manipulate/explode formalist conceits and boundaries to engage the audience in investigating individual and collective morality.

Please submit 350-500 word abstracts directly through NeMLA's portal by 30 September 2014.

In order to submit an abstract, you must register online with NeMLA. Signing up is free, and you only have to do it once. Once you have signed up and logged in, the direct link to the session is: https://nemla.org/convention/2015/cfp.html#cfp15132

Please contact me if you have any questions, but all submissions must go through the NeMLA portal.

cfp categories: 
american
cultural_studies_and_historical_approaches
film_and_television
popular_culture
twentieth_century_and_beyond