international conferences

In recent years, there has been a growing scholarly interest in Indigenous literatures
in English, including Native American, First Nations (Canadian), Australian
Aboriginal, Hawaiian, and other related literary traditions. More recently, the term
Oceanic Literatures has gained traction among critics to describe the literary
production of the Pacific Islands, encompassing regions such as New Zealand,
Hawai‘i, Fiji, Samoa, Tonga, and others. These literatures reflect the complex
processes through which “Oceanic” cultural identities are formed—shaped by
Indigenous worldviews and interwoven with the legacies of colonialism,
postcolonialism, migration, and global cultural flows - as present in the works of

Midnapore College (Autonomous)
International Seminar
on
“Aestheticism in Art and Literature” (সাহিত্য ও শিল্পে নন্দনতত্ত্ব)
To be organized by
Department of Bengali & Cultural Section
in collaboration with IQAC
on 13 January 2026
Mode: Hybrid(Online & Offline)
“The purpose of art is the realization of aesthetic bliss (Ānanda)” - Abhinavagupta.

Wednesday 17th to Friday 19th June 2026

Falmouth University, UK

This in-person conference will launch the new International Women’s Writing Association (IWWA), offering a global celebration of women’s writing in all its forms, mediums, and expressions at the gorgeous Woodlane campus in Falmouth, Cornwall.

Call for Papers

Ege University
20th Cultural Studies Symposium
“AI & Cultural Production”
6–8 May 2026 | Faculty of Letters, Izmir, Türkiye

Artificial Intelligence has distinctly shifted from being a technological tool to a shaping factor in present-day cultural practices. Ranging from AI-related literature, music, and visual arts to AI-enabled storytelling, translation, and co-creative practices, AI confronts traditional concepts of authorship, creativity, agency, and responsibility. Furthermore, AI raises critical moral and political considerations with respect to power, bias, labour, and representation.

A Two-dayInternational Conference 

Plates of Memory, Palates of Change: Memory, Identity, Community, and Millennial Transformations

28–29 March 2026

Call For Papers

Queer and minor audiovisual practices increasingly challenge the assumption that any form of visibility offers a reliable route to recognition or to political and evidentiary clarity. This panel asks how, rather than treating visibility or audibility as stable states, we might attend to the ways vocal fabulations, relational and spatial practices of telling, and imaginative or speculative interventions unsettle the evidentiary burdens traditionally placed on marginalized histories. In other words, we are interested in forms that make presence felt without fully disclosing it, and in the tensions that emerge when bodies, voices, images, and testimonies exceed the representational frames built to contain them.