popular culture

En avant: Taking Stock of Modernism and its Antecedents

updated: 
Friday, April 17, 2026 - 1:52pm
American Society for Theater Research
deadline for submissions: 
Monday, May 4, 2026

1956 was a year of theatrical milestones. Eugene O’Neill’s Long Day’s Journey Into Night was published posthumously while The Diary of Anne Frank won the Pulitzer Prize for Drama. And, of course, the American Society for Theatre Research was founded. O’Neill’s meditation on troubled family dynamics and addiction would go on to win the Pulitzer in 1957. The previous year, the Pulitzer went to Cat on a Hot Tin Roof, a Tennessee Williams play about alcoholism and (potentially) sublimated queer desire. In 1959, Lorraine Hansberry became the first Black woman to have a play produced on Broadway when A Raisin in the Sun premiered.

Call for Additional Chapters- Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation

updated: 
Friday, April 17, 2026 - 1:52pm
Tanima Kumari, Lalit Narayan Mithila University, Darbhanga
deadline for submissions: 
Thursday, June 25, 2026

Call for Additional Chapters

Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation (Routledge)

Editor: Dr. Tanima Kumari

The proposed edited volume Global Bollywood: Cultural Appropriation, Streaming Media, and the Politics of Representation has received a preliminary expression of interest from Routledge. 

A number of submissions have already been received, and several chapters have been reviewed and confirmed for inclusion.

Table of Contents

Part I: Cultural Appropriation and Hybridity

CFP - the eTEXTS 16: Literary and Cultural Studies Conference

updated: 
Friday, April 17, 2026 - 1:21pm
Urszula Niewiadomska-Flis
deadline for submissions: 
Sunday, May 3, 2026

Since 2014, the eTEXTS: Literary and Cultural Studies Conference has served as a platform for the examination and exploration of diverse "texts" from English-speaking countries of Ango-Saxon heritage. By bringing together scholars, doctoral students, and early-career professionals, the conference fosters scientific debates and critical discussions that drive forward our understanding of literature and culture.

Metafictional Horror Cinema: The Screen as Mirror

updated: 
Tuesday, April 14, 2026 - 12:46pm
Sérgio Dias Branco (University of Coimbra, Portugal) and Ana Maria Acker (Ritter dos Reis University Center, Brazil)
deadline for submissions: 
Friday, May 8, 2026

We invite chapter proposals for an edited collection titled Metafictional Horror Cinema: The Screen as Mirror, to be submitted to the UWP Horror Studies series. The volume explores how horror cinema reflects on its own formal strategies, lays bare its narrative and technological mechanisms, and confronts viewers with unsettling modes of self-awareness.

 

The volume will explore the role of metafiction within horror cinema, from postmodern genre revisions and reflexive found-footage films to avant-garde and hybrid works that fracture narrative logic, collapse diegetic boundaries, break the fourth wall, or explicitly implicate the viewer in acts of spectatorship and violence.

 

Comic Leadership at PAMLA 2026

updated: 
Monday, April 13, 2026 - 4:08pm
American Humor Studies Association
deadline for submissions: 
Monday, May 25, 2026

 

The American Humor Studies Association (AHSA) is putting together a pre-constituted panel for submission to the 2026 Pacific Ancient and Modern Language Association (PAMLA) conference, held November 12-15, 2026 at the Hyatt Regency in Seattle, Washington. PAMLA ‘s 2026 theme is  “Our Ruling Classes: Culture, Power, Conflict.Following this, AHSA is accepting a range of papers on “Comic Leadership.” We invite submissions that consider the role of comedy in politics. Often, comedy is used to “takedown” and “critique” those in power through satire and parody, but what can comedy offer for enacting new political paths forward?

True Crime CFP - MAPACA Virtual Symposium

updated: 
Monday, April 13, 2026 - 4:08pm
Mid-Atlantic Popular and American Culture Association
deadline for submissions: 
Thursday, April 30, 2026

Mid-Atlantic Popular & American Culture Association (MAPACA) 2026 Virtual Summer Symposium, July 26, 2026

This one-day virtual event on July 26, 2026 is in addition to our 3-day conference in November to accommodate scholars outside the Mid-Atlantic region and those for whom an in-person event is otherwise inaccessible. We greatly encourage international scholars to submit for this dynamic, one-day event!

Taylor Swift: Showgirl, Tortured Poet, Lover, Girl Next Door, The Man, Pop Icon

updated: 
Monday, April 13, 2026 - 4:07pm
PAMLA 2026
deadline for submissions: 
Sunday, May 24, 2026

Exploring the overlapping cultural and literary impacts of Taylor Swift, this session considers her songs, legacy, political endeavors, friendships, feuds, collaborations, and fandom especially through this year's themes of culture, power, and conflict. We ask: What might lively, critical analysis of Taylor Swift offer to cultural and literary studies?

Journal of Dracula Studies

updated: 
Monday, April 13, 2026 - 4:06pm
Journal of Dracula Studies
deadline for submissions: 
Monday, June 1, 2026

The Journal of Dracula Studies is open for submissions for its upcoming 2026 issue. We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in literature including folklore, fiction, film, popular culture, and related topics. Submissions should be sent electronically (as an e-mail attachment in .docx). Please indicate the title of your submission in the subject line of your e-mail.

Frames, Terrains, and Worldings: Comics and Storytelling across the Global South

updated: 
Monday, April 13, 2026 - 4:05pm
Special Issue: Global South Literary Studies (Taylor & Francis)
deadline for submissions: 
Wednesday, July 15, 2026

 

This special issue brings together innovative and interdisciplinary comics scholarship that rethinks the epistemic, aesthetic, political, material, and decolonial aspects of comics across the Global South. These forms prompt renewed reflection and inquiry into what it means to draw knowledge, memory, community, dissent, and futurity, while simultaneously interrogating the foundational categories of representation, authorship, narrative form, and colonial epistemology.

Esotericism, Occultism, and Magic at all-online Virtual Summer Salon of Southwest Popular/American Culture Association, June 25-27, 2026

updated: 
Monday, April 13, 2026 - 4:05pm
Southwest Popular/American Culture Association
deadline for submissions: 
Monday, April 27, 2026

Call for Papers

ESOTERICISM, OCCULTISM, and MAGIC

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

American Television and the Rise of Post-Truth America

updated: 
Monday, April 13, 2026 - 4:04pm
Ben Alexander. Columbia University and Barnard College
deadline for submissions: 
Friday, May 15, 2026

Call for Papers

American Television and the Rise of Post-Truth America

Submission Deadline, May 15, 2026.

Everything Fab Four: Celebrating the Beatles' REVOLVER

updated: 
Monday, April 13, 2026 - 4:04pm
Kenneth Womack/Monmouth University
deadline for submissions: 
Friday, May 15, 2026
CALL FOR PRESENTATIONS Everything Fab Four Fest: REVOLVERNovember 6-8, 2026, Asbury Park, NJBerkeley Oceanfront Hotel

You are cordially invited to submit abstracts and/or panel suggestions for an international symposium devoted to the life, work, and influence of the Beatles, particularly in relation to their legendary album REVOLVER (1966). The festivities will include a host of well-known speakers, journalists, and musicians. 

Rethinking Analog Effects and Animation Practices

updated: 
Monday, April 13, 2026 - 4:01pm
Synoptique: An online Journal of Film and Moving Image Studies
deadline for submissions: 
Tuesday, July 7, 2026

This issue aims to restore much-needed scholarly attention to analog effects and other hands-on approaches to filmmaking in analog and contemporary digital cinema. Special effects have become a growing area in film studies with the rise of digital cinema since the turn of the century, sparking renewed interest across academic writing, popular culture, journalism, and fandom. Scholars such as Warren Buckland, Stephen Prince, Charlie Keil, Kristen Whissel, and Julie A. Turnock have primarily focused on the cinematic realism of CGI and its ubiquitous use in Hollywood mainstream cinema. Furthermore, as Dan North, Bob Rehak, and Michael S.

“After the Archive” in Children’s and Young Adult Literature and Cultures

updated: 
Monday, April 13, 2026 - 4:01pm
Midwest Modern Language Association
deadline for submissions: 
Friday, May 1, 2026

At a time when some are attempting to rewrite the Humanities, it might be questioned as to how archives can not only be preserved but also utilized to fight for the future. Children’s and Young Adult Literature and Culture are deeply shaped by questions of memory, authority, and cultural transmission. Contributors are encouraged to consider the archive as an ever-evolving site of power that governs inclusion, exclusion, and interpretation. One might posit questions such as How do archival practices shape the stories available to young readers, and how might authors, educators, and scholars work against inherited silences and erasures?

Essays on Playing Detective / Detective Games

updated: 
Monday, April 13, 2026 - 3:58pm
Shelly Jones / McFarland Press
deadline for submissions: 
Tuesday, December 1, 2026

This peer reviewed edited collection will be part of McFarland & Company, Inc.’s Studies in Gaming series.

The State of SF and of Things to Come: Reading SF through the Clarke Award

updated: 
Monday, April 13, 2026 - 3:45pm
Science Fiction Foundation / The Arthur C. Clarke Award / University of Liverpool
deadline for submissions: 
Monday, August 17, 2026

A two-day conference to be held online by the University of Liverpool, in partnership with the Science Fiction Foundation and the Arthur C. Clarke Award, 12-13 December 2026

Keynote Speaker: Andrew M. Butler (non-voting chair of the Arthur C. Clarke Award)

Roundtable discussion with Clarke Award-winning authors Anne Charnock, Adrian Tchaikovsky and Tade Thompson

After the Archive: Korean Literature, Language, and Culture

updated: 
Monday, April 13, 2026 - 3:32pm
Midwest Modern Language Association
deadline for submissions: 
Friday, April 24, 2026

Korean Literature, Language, and Culture at MMLA invites proposals exploring Korean literary studies, language pedagogy, film and media, translation studies, diaspora studies, and cultural production across historical and contemporary contexts. For the 2026 MMLA Convention, we especially invite proposals that engage with the conference theme, “After the Archive.”

Truth in (Contemporary) Society 2026

updated: 
Monday, April 13, 2026 - 3:26pm
University of Sheffield
deadline for submissions: 
Wednesday, April 22, 2026

Event Title:                    Truth in (Contemporary) SocietyEvent date:                    Monday, 29th & 30th June 2026
Location:                       Workroom 3, 38 Mappin St, University of Sheffield

Tolkien in Popular Culture Summer Salon

updated: 
Monday, April 6, 2026 - 3:16pm
Southwest Popular / American Culture Association (SWPACA) 2026 SWPACA Summer Salon
deadline for submissions: 
Monday, April 27, 2026

Call for Papers

Tolkien in Popular Culture

Southwest Popular / American Culture Association (SWPACA)

2026 SWPACA Summer Salon

 

June 25-27, 2026

Virtual Conference

https://swpaca.org/

Submissions open on March 30, 2026

Proposal submission deadline: April 27, 2026

 

Call for Chapters: Edited Collection on Argentine Horror Cinema

updated: 
Monday, April 6, 2026 - 3:04pm
Fernando Gabriel Pagnoni Berns
deadline for submissions: 
Monday, June 15, 2026

Since the international success of Aterrados and Cuando acecha la maldad, both directed by Demián Rugna, Argentine horror cinema has gained renewed global visibility and critical attention. This resurgence has sparked increasing scholarly interest in the field, positioning Argentine horror as a key site for the exploration of national anxieties, aesthetic innovation, and transnational circulation.

CFP: Intermediality in Communication. Translation, Media, Discourse.

updated: 
Monday, April 6, 2026 - 3:04pm
Kaunas University of Technology
deadline for submissions: 
Saturday, April 25, 2026

Research group “Translation and Language Studies” (Faculty of Social Sciences, Arts and Humanities, Kaunas University of Technology) is organising an international conference on linguistics, discourse, media, communication, translation, cultural literacy and impact on society “Intermediality in Communication: Translation, Media, Discourse” held in Kaunas, Lithuania.

The scope of the conference includes 8 thematic sections with their own set of topics:

Linguistics. This section aims to examine the current directions in linguistic research, particularly focusing on how language interacts with different forms of media. 

Esotericism in the Comics of Alan Moore

updated: 
Monday, April 6, 2026 - 3:04pm
Nick Katsiadas / Slippery Rock University
deadline for submissions: 
Wednesday, July 1, 2026

Many notable comic book scholars highlight Alan Moore as one of the most ambitious writers in mainstream American and British comics. Along with writers like Grant Morrison and artists like Dave McKean, Moore was part of the so-called “British Invasion” of the American comic book industry in the 1980s, and artists of this period are credited as bringing an air of credibility as well as transforming the artistic standards of the medium. Greg Carpenter, for instance, likens the work of these artists to “Marlowe, Shakespeare, and Jonson, elevating the English language into a vehicle for poetic drama.

Comics in/as Archives: Comics and Graphic Novels Permanent Section [MMLA]

updated: 
Monday, April 6, 2026 - 3:03pm
Midwest Modern Language Association [MMLA]
deadline for submissions: 
Saturday, April 25, 2026

The theme for this year’s MMLA conference explores the relational dynamics inherent in an archive. Since Derrida’s Archive Fever, the role of the archive has been conceived as a site for both the storage and construction of memory. What is selected and how it is framed by the archival materials works both to capture memory and history and shape how something or someone should be remembered. In keeping with this theme, the permanent section for comics and graphic novels is interested in research that interrogates the intersection of comic studies and the archive.

Kingsolver’s Demon Copperhead Across the Disciplines

updated: 
Monday, April 6, 2026 - 3:03pm
Megan Krupa / East Tennessee State University
deadline for submissions: 
Saturday, August 1, 2026

To investigate how various disciplines respond to Barbara Kingsolver’s Pulitzer Prize-winning novel, Demon Copperhead, editors Megan Krupa and Thomas Alan Holmes solicit chapter proposals for an edited collection of scholarly essays. Set in southwest Virginia during the opioid crisis, Kingsolver’s novel converses with Dickens’ David Copperfield, providing commentary about relevant social influences ranging from the global economy and international extractive industries to domestic social services, sports fandom, education, and family structure.

Grateful Dead Studies journal call for submissions

updated: 
Monday, April 6, 2026 - 3:01pm
Grateful Dead Studies Association
deadline for submissions: 
Saturday, August 1, 2026

Scholars are encouraged to contribute articles about the Grateful Dead and reviews of Grateful Dead-and-related performances and media for consideration for publication in the field’s refereed journal, Grateful Dead Studies. Accepted pieces from the current submission cycle will be published in volume 8 (2027 / 2028) of the journal.

 

Article submission deadline: 1 August 2026

Review submission deadline: 1 September 2026

 

Grateful Dead Studies is also seeking qualified reviewers interested in supporting the peer review process. Please reach out if you would like to help scholarly discourse about the Grateful Dead thrive.

 

Who Is This For? The Access Illusion of XR

updated: 
Monday, April 6, 2026 - 3:00pm
Immersive Impact Review
deadline for submissions: 
Friday, May 15, 2026

Who Is This For? The Access Illusion of XR

Immersive Impact Review — Issue 2 Call for Submissions

Open Date: 4/1/26

Closing Date:  5/15/26

The Immersive Impact Review invites submissions for its second issue around the theme of “Who Is This For? The Access Illusion of XR.” The Review is an open-access publication dedicated to advancing knowledge at the intersection of immersive technologies and social good.  It is published by the Immersive Experience Alliance with funding from Agog.  

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