The Shadow Lines (1988) is Amitav Ghosh’s acclaimed masterpiece. The novel won the Sahitya Akademi award, India’s most prestigious annual literary prize, as well as the Ananda Puraskar in 1990. The novel has gained enormous resonance in postcolonial studies as it touches upon some of the major issues in the fields of colonial history, national identities, memory,time and space, hybridity, transnationalism and borders. It has been seminal in the definition and discussion of a postcolonial cartography.
Organizers: Sara Ceroni (University of Massachusetts Amherst) and Luke Mueller (Bentley University)
FEMINISM: Historical Legacies and Current Challenges
Call for papers, Special Issue of Rassegna Italiana di Sociologia, edited by Rossella Ghigi (University of Bologna) and Catherine Rottenberg (Ben-Gurion University of the Negev)
Why do many émigré or exiled authors adopt the language of their host country, rather than write in their native tongue? Does this affect their sense of identity, or merely our identification of them?
The nature of sovereignty and its related concerns were central for political theorists of the early modern period (Renaissance). These questions continued to circulate in succeeding centuries, and returned with particular significance in the late 20th and 21st centuries, especially among continental political philosophers. This seminar will engage with questions surrounding sovereignty in both early modern literary texts as they relate to debates about sovereignty in their own time and/or in the present.
Annual deadline: October 1
Interactions (ISSN 1300-574-X) is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).
It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.
Articles (4000-8000 words) and reviews (1000-2000 words) should follow MLA parenthetical citation format.
Please send submissions as word file attachments to the editor:
CFP: 'The Affective Aesthetics of The Body in Pain' 51 (4/2018): Paper submission date extension
Due to the large number of request we have extended the deadline for full paper submissions to the issue 'The Affective Aesthetics of The Body in Pain' 51 (4/2018). All Authors who have not yet submitted their manuscripts are invited to submit up to August 15, 2018.
Carlos Reygadas is a twenty-first century Mexican auteur of international acclaim. His opera prima, Japón (2002), was awarded the Caméra d’Or Special Mention at Cannes. After his second and third features were nominated for the Palme d’Or, his latest feature, Post Tenebras Lux (2012), again nominated for the Palme d’Or, won the award for best director. Reygadas’s poetic and experimental use of images, along with his subversive approach to traditional cinematic representations of Mexican life, has opened up an array of possibilities of interpretation for audiences and critics alike.
Reading and Writing the World: Perception and Identity in the Era of Climate Change
An International Conference organised by EMMA (Etudes Montpelliéraines du Monde Anglophone) in collaboration with CECILLE (Centre d'Etudes en Civilisations, Langues et Lettres Étrangères)
5-6 April 2019
Université Paul-Valéry Montpellier 3, France
Site Saint Charles
Thomas Dutoit, Université de Lille 3, France (confirmed)
Sarah Wood, University of Kent, UK (to be confirmed)