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twentieth century and beyond

CFP - Interactions Vol. 28.1-2 (2019)

updated: 
Monday, July 16, 2018 - 9:30am
Ege University
deadline for submissions: 
Monday, October 1, 2018

Annual deadline: October 1
Interactions (ISSN 1300-574-X) is an international journal in print format featuring essays on British and American Language, Literature, Culture and Translation Studies published annually by Ege University Depts. of British and American Studies (Izmir/Turkey).
It is blind refereed by international scholars and indexed in MLA International Bibliography, Gale Cengage Learning and EBSCO, subscribed by the British Library and the Harvard University Library.
Articles (4000-8000 words) and reviews (1000-2000 words) should follow MLA parenthetical citation format.
Please send submissions as word file attachments to the editor:

Teaching Palahniuk in the Age of Trump

updated: 
Monday, July 16, 2018 - 9:31am
Northeast MLA 2019 Conference
deadline for submissions: 
Sunday, September 30, 2018

Since Fight Club earned Chuck Palahniuk notoriety, critical praise and derision and a committed cult following on the heels of the 1996 novel publication and 1999's David Fincher film adaptation starring Brad Pitt, Edward Norton, Helena Bonham-Carter and Jared Leto, the author and his work have struggled to find critical legitimacy. His reputation, especially at public readings, has been built upon accentuating all the ways grotesque horror can become comically absurd.

Regarding Reygadas: The Cinema of Mexican Auteur Carlos Reygadas (NeMLA Panel)

updated: 
Monday, July 16, 2018 - 9:49am
Amanda McMenamin / NeMLA
deadline for submissions: 
Sunday, September 30, 2018

Carlos Reygadas is a twenty-first century Mexican auteur of international acclaim. His opera prima, Japón (2002), was awarded the Caméra d’Or Special Mention at Cannes. After his second and third features were nominated for the Palme d’Or, his latest feature, Post Tenebras Lux (2012), again nominated for the Palme d’Or, won the award for best director. Reygadas’s poetic and experimental use of images, along with his subversive approach to traditional cinematic representations of Mexican life, has opened up an array of possibilities of interpretation for audiences and critics alike.

Flannery O'Connor Society @ 2019 Louisville Conference

updated: 
Friday, July 13, 2018 - 12:33pm
The Flannery O'Connor Society
deadline for submissions: 
Thursday, September 6, 2018

Flannery O’Connor Society Call for Papers:
2019 Louisville Conference

The Flannery O’Connor Society seeks proposals for a pre-organized panel at the 2019 Louisville Conference on Literature and Culture after 1900, taking place February 21st-23rd, 2019, in Louisville, Kentucky. 

The panel is open-topic, but the following areas are of special interest:

• O’Connor’s influence by and/or on other authors 

• O’Connor and popular culture

-O'Connor's treatment of racism, particularly in light of Toni Morrison's recent reading of O'Connor in THE ORIGIN OF OTHERS.

• The treatment of gender in O’Connor’s fiction 

-O'Connor and Public Humanities

Daphne du Maurier: A Critical Reassessment

updated: 
Friday, July 13, 2018 - 12:01pm
Le Mans Université, France
deadline for submissions: 
Sunday, January 6, 2019

Daphne Du Maurier: A Critical Reassessment – An Interdisciplinary International Conference

28-29 June 2019

Venue : Le Mans Université, Department of Anglophone Studies, Avenue Olivier Messiaen, 72085 Le Mans cedex 09, France

Key Words: Daphne du Maurier – Short fiction – Novels – Film adaptations – Didactics --Biography – Psychoanalysis – Local history

The World of Bob Dylan

updated: 
Friday, July 13, 2018 - 12:23pm
The University of Tulsa Institute for Bob Dylan Studies
deadline for submissions: 
Tuesday, January 15, 2019

In 2016, the George Kaiser Family Foundation and the University of Tulsa jointly announced the acquisition of the Bob Dylan Archive–an extraordinary collection of material that includes over 6,000 items, including recordings, manuscripts, film, notebooks and much more.  These materials have already begun to open up new ways of understanding not just Dylan and his work, but the broader history of popular music both in America and around the world.  Tulsa is already home to the Woody Guthrie Center and will soon welcome OKPOP, which will house collections related to Leon Russell, Wanda Jackson, Roy Clark, Bob Wills, and more.  The Bob Dylan Archive will thus rest at the center of a rich array of resources focused o

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