READERS, READING AND RECEPTION IN DEVOTIONAL LITERATURE AND PRACTICE
(Essay Collection)
 
We are currently soliciting proposals for essay-length studies about
readers, reading, and reception in devotional literature and practice,
with particular interest in England in the later Middle Ages. This
collection of essays draws on current scholarly interest in medieval
readers, reading, and reception that extends across such disciplinary
bounds as art history, architecture, social history, and literature
studies. We seek proposals for papers that investigate a wide variety
of approaches to and examples of devotional readers, reading or
reception in the later Middle Ages.

READERS, READING AND RECEPTION IN DEVOTIONAL LITERATURE AND PRACTICE
(Essay Collection)
 
We are currently soliciting proposals for essay-length studies about
readers, reading, and reception in devotional literature and practice,
with particular interest in England in the later Middle Ages. This
collection of essays draws on current scholarly interest in medieval
readers, reading, and reception that extends across such disciplinary
bounds as art history, architecture, social history, and literature
studies. We seek proposals for papers that investigate a wide variety
of approaches to and examples of devotional readers, reading or
reception in the later Middle Ages.

Sponsored Sessions (2) of the 42nd International Congress on Medieval
Studies
10-13 May 2007
Western Michigan University, Kalamazoo, MI

Early Middle English Society I: Women and Devotion
Coordinator: Dorothy Kim (dorothyk_at_humnet.ucla.edu)

The 16th Annual British Commonwealth and Postcolonial Studies Conference
Coastal Georgia Center, Savannah, GA
Conference website: http://ceps.georgiasouthern.edu/conted/bcps
<http://ceps.georgiasouthern.edu/conted/bcps>
 
>From the OED:
 
Occupation, n.
I. Senses relating to space.
 
1. a. The action of taking or maintaining possession or control of a
country, building, land, etc., esp. by (military) force; an instance of
this; the period of such action; (also) the state of being subject to such
action.

The 16th Annual British Commonwealth and Postcolonial Studies Conference
Coastal Georgia Center, Savannah, GA
Conference website: http://ceps.georgiasouthern.edu/conted/bcps
<http://ceps.georgiasouthern.edu/conted/bcps>
 
>From the OED:
 
Occupation, n.
I. Senses relating to space.
 
1. a. The action of taking or maintaining possession or control of a
country, building, land, etc., esp. by (military) force; an instance of
this; the period of such action; (also) the state of being subject to such
action.

Myth, Femininity, and Violence: Appropriations of Ancient Myths in Twentieth
Century and
Contemporary Women's Aesthetic Production

Sanja Bahun-Radunovi?, Ph.D., and V.G. Julie Rajan, Ph.D., eds.

The editors invite papers for an innovative collection of essays that
explores aesthetic reflections on violence through the refiguration of
ancient myths by twentieth century and contemporary female artists. The
essays may address a variety of aesthetic female productions, including
literature, performance, and visual art. The scope of the collection is
global, and we are looking for pieces representing a wide range of cultures,
languages, geographic spaces, and social contexts.

New Approaches to ‘70s Audiences

Society for Cinema and Media Studies Chicago Conference Panel Proposal

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Gender Technologies and Utopias

Papers are invited for this special panel at ‘Return to Gender’, the forthcoming graduate conference at the University of Glasgow on 25th November, 2006. The panel will address how technological, scientific and medical advancements have affected perceptions of gender both culturally and socially. Are traditional notions of masculinity and femininity becoming irrelevant given the present diversity of possible alternative identities? How might we envisage gender utopias/dystopias in the later 21st century? How has technological/scientific research opposed or contributed to the existence of gendered power structures? Possible topics include, but are not limited to:

Gender Technologies and Utopias

Papers are invited for this special panel at ‘Return to Gender’, the forthcoming graduate conference at the University of Glasgow on 25th November, 2006. The panel will address how technological, scientific and medical advancements have affected perceptions of gender both culturally and socially. Are traditional notions of masculinity and femininity becoming irrelevant given the present diversity of possible alternative identities? How might we envisage gender utopias/dystopias in the later 21st century? How has technological/scientific research opposed or contributed to the existence of gendered power structures? Possible topics include, but are not limited to:

Gender Technologies and Utopias

Papers are invited for this special panel at ‘Return to Gender’, the forthcoming graduate conference at the University of Glasgow on 25th November, 2006. The panel will address how technological, scientific and medical advancements have affected perceptions of gender both culturally and socially. Are traditional notions of masculinity and femininity becoming irrelevant given the present diversity of possible alternative identities? How might we envisage gender utopias/dystopias in the later 21st century? How has technological/scientific research opposed or contributed to the existence of gendered power structures? Possible topics include, but are not limited to:

__

*********** POSTPONED 'W.G. Sebald and the European Tradition' **********

Due to unforeseen organisational difficulties we have had to postpone the
conference at the University of East Anglia, Norwich. We will publish
revised conference dates at the beginning of September.

We apologise for any inconvenience this may cause.

The Organisational Team.
"W.G. Sebald and the European Tradition"
School of Literature and Creative Writing
University of East Anglia
Norwich NR4 7TJ
England

CALL FOR PAPERS
The Ethics of Photography
A one-day graduate student symposium
Saturday, February 10, 2007
Yale Center for British Art, New Haven, CT

This one-day graduate student symposium will address the ethics of making and
viewing photographs and the changing conceptions of the ethical concerns
inherent in those practices throughout the history of the medium.