Milton and Religion (MLA, January 2012; 3/15 deadline)
Milton and Religion, interpreted broadly and all-inclusively.
Abstracts or complete papers (8-page or 20-minute) by 15 March 2011.
(Please note: This is session is pending MLA approval)
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Milton and Religion, interpreted broadly and all-inclusively.
Abstracts or complete papers (8-page or 20-minute) by 15 March 2011.
(Please note: This is session is pending MLA approval)
Milton and Theatricality, interpreted broadly and all-inclusively.
Abstracts or complete papers (7-page or 15-minute) by 15 March 2011.
(Please note: This is session is pending MLA approval)
CFP ASA 2011: Pre-Occupied Space
Seeking papers that address thematic, critical or ideological intersections between posthumanism and poetry; including interspecies relationships, transhumanism, the making and unmaking of the humanist subject, and encounters with animal or machine. Discussions of poetry from any time period or national language welcome.
Please send 300-word abstract and brief CV to T.J. Welch by March 5, 2011.
Commerce, Texas
March 9-11, 2011
Writing Democracy: A Rhetoric of (T)Here
CFP: http://writingdemocracy.weebly.com
Deadline 1/15, but open to brief extension if requested.
Featured Speakers:
John Duffy, University of Notre Dame: "After Arizona: First Year Writing and a Rhetoric of Ethical Practice"
David Gold, University of Tennessee: "Beyond Recovery: Contemporary Challenges in Rhetoric and Composition Historiography"
Michelle Hall Kells, University of New Mexico: "Writing Democracies: What the Mexican-American Civil Rights Movement Can Teach Us About Civic Literacy in the 21st Century"
Critical and Transnational Approaches to American Popular Music is an ambitious project that examines both the local and transnational significance of American popular music such as Blues, Rock and Roll, and Hip Hop. The first part of the book will situate these musical genres in the large and complex framework of American popular culture in which language, utopia, and traditions have played major roles in the construction of identity, activism, and social change. The second part of the book will put American Blues, Rock and Roll, and Hip Hop in conversation with similar or different musical genres from other parts of the world in which identity, resistance, and social transformation are also crucial parts.
There is little doubt that from its origins in the 16th century through its end in the 19th century the transatlantic slave trade dramatically shaped the trajectories of many millions of lives on at least four continents (Africa, Europe, North America, the Caribbean, and South America ). Whether, in what forms, by what means, and to what effect the slave trade continues to leave social, cultural, institutional, familial and personal impressions in the present day are matters of considerable debate and even tension – in the former slave-trading and slave-hosting nations, in West and Central Africa, but also in countries whose involvement was less obvious.
The PhD in Humanities (http://louisville.edu/humanities) and the Association of Humanities Academics at the University of Louisville (ahalouisville.com) announces the annual University of Louisville Graduate Conference in Humanities, March 25, 2011.
Deadline extended until Jan. 29, 2011.
From Claremont to Cairo: Geographies of Space, (Dis)Location, and Travel in the Writings of Constance Fenimore Woolson and her Contemporaries
Ninth Biennial Conference of the Constance Fenimore Woolson Society
Manchester, NH
March 31-April 2, 2011
Keynote Speaker: Sharon M. Harris
New Directions in Critical Theory Conference
"Singularity: Transdisciplinary Explorations in Language, Culture, and Theory" The University of Arizona (Tucson, AZ) April 29-30, 2011.
Keynote Speaker: Vincent B. Leitch, General Editor - Norton Anthology of Theory & Criticism
Plenary Speaker: Jerrold E. Hogle, University of Arizona
Call for Papers
NASSR 2011: "Romanticism and Independence"
August 11-14, 2011 in Park City, Utah
http://nassr11.byu.edu/
Special Session organized by the German Society for English Romanticism, Gesellschaft für englische Romantik (GER), Chair: Prof. Dr. Christoph Bode (LMU Munich)
Deadline for proposals for this session: February 15, 2011
Independent Minds?
The SCMLA's English I: Old and Middle English Language and Literature section is accepting 500 word proposals for papers on any topic in Old and Middle English. Proposals are due by March 28, 2011, to session chair, Molly Martin, at mamartin@mcneese.edu.
South Central College English Association is accepting 500 word abstract/proposals by March 20, 2011.
South Central Modern Language Association's 68th Annual Conference
Hot Springs, Arkansas
October 27-29, 2011
Conference theme: "Sources of Inspiration"
South Central College English Association's topic: "O for a Muse of fire:" Teaching to Inspire (Henry V: 1.i.1)
This session seeks papers which will engage in the following: explore moments of teaching which breathe life into the creativity of students and spark the innovation of new courses and/or methods in the classroom; express which texts or teaching methods move students to action and maintain continuous engagement.
Lost & Found in Translation:
Indian Writers, Translators, Texts, and Contexts
Edited by Jafri S. Abbas and Shafiqul Alam
The NJCEA is soliciting papers considering a broad range of literary and composition topics for its annual conference. Paper proposals are now being accepted for the following panels (contact session convener listed below).
Extended Deadline January 16, 2011
1."Literature of Africa and the African Diaspora," Daniel Gover, Convenor, Kean University dgover@kean.edu
2."John Milton and the Prophetic," Dan O'Day, Convenor, Kean University doday@kean.edu
3."Current Issues in Second Language Writing," Gita Das Bender, Convenor, Gitanjali.DasBender@shu.edu
Centre for Applied Philosophy, Politics and Ethics (CAPPE)
6th Annual International Interdisciplinary Conference
'The "9/11" Decade: Rethinking Reality
Wednesday 31 August – Friday 2 September 2011
Joint conference organisers:
Centre for Applied Philosophy, Politics & Ethics, University of Brighton;
Centre for Ethics and Value Inquiry, University of Ghent;
Centre for Research Ethics & Ethical Deliberation, Edge Hill University;
Centre for Research in Ethics and Globalisation, University of Groningen
Invited keynote speaker: Geoffrey Robertson QC
Fan studies chapter opening.
Announcing the call for papers for a graduate conference on appreciation and critique: on April 2nd and 3rd, 2011. The University of Wyoming Department of English will be hosting an academic conference for graduate students of all disciplines to present papers and articles on the interplay of appreciation and criticism. More information available at www.uwappreciates.com.
Panel Proposal: Performing Philanthropy
Norumbega was a region situated between New England and Maritime Canada on early maps, deriving from Verrazano's map of North America, c. 1529, on which it was spelled Oranbega. Three centuries later, sixteenth-century Norimbega had become "the unknown regions […or] all the vast territories around the gulf and river of St. Lawrence, with all its islands" (Botham Howitt, 9), and today it remains in some ways an enigma (Bradley, 101). The etymology for the term is unclear; while most scholars agree that it was named after places in Europe, some of its variants exhibit possible indigenous influences (Morison, 464; Baker 1994).
Beijing Normal University's College of Chinese Language and Literature, the University of Oklahoma, and Chinese Literature Today (and its parent journal World Literature Today) are pleased to invite scholars to present a paper at the International Conference on Chinese Literature in Global Contexts taking place in Beijing from April 28 to 30, 2011. Presenters at this conference will join other scholars, sinologists, and writers from around the world to discuss the rich history and potential future of Chinese literature within China and also in the wider world.
The conference will host numerous academic forums and panels to discuss some of the following topics:
Dear Colleagues,
Apologies for cross-posting.
Please see below our general call for papers for our symposium: The Rest is History: Ireland, Performance and The Historical Imagination.
This symposium seeks to re-negotiate the archive of Irish theatre and performance in order to cast a light on those subterranean dramaturgies that are either characterised as the discontents of historical time or indeed, transmogrified into the historical imagination.
CALL FOR PAPERS
IFTR Translation/Adaptation/Dramaturgy Working Group
Osaka, Japan, 7-12 August 2011
The Translation/Adaptation/Dramaturgy Working Group of the International Federation for Theatre Research invites paper proposals for its 2011 meeting. While papers for the working group need not be limited to the conference's central themes of Tradition, Innovation, and Community, we do have a special interest in papers that consider how ethics inflects translators', adaptors', and dramaturgs' ("transadaptors'") understandings of and work with any of these terms.
Recent Gothic studies have increasingly looked into problems associated with the idea of delimitation, both in terms of material and media. This leads to the two sets of questions implied in this conference's title: Where are the limits of the 'classic' Gothic tradition? Where have these limits been reached or even transgressed? Can one speak about a 'post-Gothic mode'? What, if anything, is capable of replacing the Gothic? The second set of questions is prompted by the commercialisation and commodification of an increasingly romanticised Gothic and its diffusion among different media and modes: Is the Gothic dependent on 'literature'? Are there media-specific 'Gothics'? Which intermedial and intermodal forms are there?
The James Agee Society requests proposals for 20-minute presentations to be delivered at the 2011 American Literature Association Conference on any aspect of James Agee's work, especially in connection with artistic and cultural trends of his times. Recent topics have included Agee's poetry, reconsiderations of Let Us Now Praise Famous Men and The Morning Watch, and Agee as travel writer, ecocritic, and translator of foreign films. Of particular interest are papers treating the restored edition of A Death in the Family. Send 250-word abstracts by January 20, 2011, to Hugh Davis at hdavis@piedmont.edu.
ASLE UK (Association for the Study of Literature and the Environment (UK) www.asle.org.uk ) invites proposals for its Postgraduate Conference to be held from 9 to 10 September 2011 at the Centre for Creative Collaboration (www.creativecollaboration.org.uk, London WC1), on the theme of 'Emergent critical environments': Where next for ecology and the humanities?'
Keynote speakers include:
Kate Soper
Robert McKay
Co-editors Rebecca Harrison and Emily Hipchen are soliciting paper abstracts for a scholarly collection of essays treating Julia Alvarez's work. Writers may address adaptations/translation, her young adult and children's literature, novels, poetry, autobiography, nonfiction, or any other of her productions.
Abstracts should be 750 words and may consider any topic, including the following:
Excursions, the open access interdisciplinary postgraduate journal at the University of Sussex, invites calls for reviews of up to 1,500 words from postgraduates and early-career researchers on books and events including, but not limited to:
Books on the interdisciplinary
Performance, theatre, installation art and film that transcends boundaries
Multi-media, innovative and cross-disciplinary conferences and exhibitions
Please submit your reviews through our website at http://www.excursions-journal.org.uk/cfp.html
The Caribbean: Aesthetics, Ecology, Politics
A conference at the University of Warwick, 23rd-25th September, 2011. Deadline for abstracts: 1st March.
Keynote speakers include: Elizabeth DeLoughrey, Oonya Kempadoo, Lizabeth Paravisini-Gebert, Janette Bulkan
n.6 – 11/2011
Black Americas
Afro-Latin American literature, music and art between social denunciation
and self representation
edited by Irina Bajini and Laura Scarabelli