In an increasingly news-saturated world – or even, a news-controlled one – contemporary Western social and cultural discourse is preoccupied with narratives of fear and anxiety. Especially after the events of 11 September 2001, there has been a significant increase in plays and productions representing events, contexts, people, and situations that relate to these themes. Meanwhile, we are encouraged to be afeared of: the anonymous or digital other, the unknown or unexplainable (such as disappearing planes), the collapse of capitalism (and the bankers who caused it), fake news and ‘post-truths’, and the rise of the political right (or left).