This panel aims to address the question of the representation of disability in world cinema (fiction and documentary), while moving away from a purely historical approach that would primarily focus on the evolution of representation of disability to consider how Disability Studies have enabled us to reconsider the cinematic representations of disability. This panel hinges on the assumption that Disability Studies have given rise to a series of critical and theoretical tools, as well as to a renewed perception of disability that no longer sees it as a hindrance, but rather as a driving force for creation.

Call for Submissions

Movement Beyond Limit(s): CCLPS Postgraduate Conference 2024

“We live in an age of movement. [...] which huge amounts of materials are now in wide circulation around the globe. There are more humans, circulating and consuming more [...] Portions of the planet are literally moving more quickly and more unevenly– around axes of gender, race, and class.” (Thomas Nail, “Forum 1: Migrant Climate in the Kinocene” 2019: 375)

Special Issue Call for Papers

Planetary Fiction: African Literature and Climate Change

Guest Editors: Nedine Moonsamy (Johannesburg) and David Shackleton (Cardiff)

Deadline for Submissions: 1 February 2025

What happens when an author, playwright, or filmmaker choses to embed a translation in a fictional setting? This panel will consider the many forms of fictional, imaginary, and somewhat deceitful translations - from pseudotranslation (a text written as if it had been translated from a foreign language, even though no foreign language original exists) to self-translation (when an author composes a text in one language and translates it into another) - to interrogate the act of translation as both a motor and an obstacle in a work of fiction.

This session at PAMLA (Pacific and Ancient Modern Langauge Association) this year (November 7-10, 2024) welcomes paper proposals in English, Spanish, and Portuguese that consider any aspect of contemporary feminist activisms and cultural and artistic production in the Latin American context. Topics may include but are not limited to digital and hashtag feminist activisms, transnational feminist activisms, Black and Indigenous feminist activisms, Global South feminisms, street activisms, performance activisms, activisms and affect, and protest and artistic production within a broad conceptualization of “translation in action,” the theme of this year’s conference.