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UPDATE: Comparative Hebraisms (4/1/06; RMMLA, 10/11/06-10/13/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Flacy, Kathleen Anne

The deadline for submissions to the Comparative Hebraisms session of the
2006 RMMLA conference in Tucson, Arizona has been extended to 1 April.
Paper proposals of 250-300 words are invited on any topic related to Jewish
literature, culture, learning, philosophy, or thought. Email proposals to
kflacy_at_tamu.edu. Presenters must be RMMLA members no later than 1 August.

UPDATE: Comparative Hebraisms (4/1/06; RMMLA, 10/11/06-10/13/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Flacy, Kathleen Anne

The deadline for submissions to the Comparative Hebraisms session of the
2006 RMMLA conference in Tucson, Arizona has been extended to 1 April.
Paper proposals of 250-300 words are invited on any topic related to Jewish
literature, culture, learning, philosophy, or thought. Email proposals to
kflacy_at_tamu.edu. Presenters must be RMMLA members no later than 1 August.

UPDATE: Comparative Hebraisms (4/1/06; RMMLA, 10/11/06-10/13/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Flacy, Kathleen Anne

The deadline for submissions to the Comparative Hebraisms session of the
2006 RMMLA conference in Tucson, Arizona has been extended to 1 April.
Paper proposals of 250-300 words are invited on any topic related to Jewish
literature, culture, learning, philosophy, or thought. Email proposals to
kflacy_at_tamu.edu. Presenters must be RMMLA members no later than 1 August.

CFP: Uses of Proverbs in Hispanic Narrative (3/15/06; PAMLA, 11/10/06-11/11/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Cristina Moon

CALL FOR PAPERS.

Pacific Ancient and Modern Language Association Conference 2006
November 10-11, 2006
University of California, Riverside
Riverside, California

Submission Deadline: March 15, 2006

Description: As timeless literary devices, proverb use is very common
in folk speech and narrative in Hispanic cultures. Papers will address
different paremiological uses in Hispanic narrative.

Please submit a paper title, a 500-word proposal, and a 50-word abstract
by March 15, 2006. Each paper should be 15-20 minutes to leave time for
introductions and discussion. Please observe this time limit when
writing your paper.

CFP: Uses of Proverbs in Hispanic Narrative (3/15/06; PAMLA, 11/10/06-11/11/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Cristina Moon

CALL FOR PAPERS.

Pacific Ancient and Modern Language Association Conference 2006
November 10-11, 2006
University of California, Riverside
Riverside, California

Submission Deadline: March 15, 2006

Description: As timeless literary devices, proverb use is very common
in folk speech and narrative in Hispanic cultures. Papers will address
different paremiological uses in Hispanic narrative.

Please submit a paper title, a 500-word proposal, and a 50-word abstract
by March 15, 2006. Each paper should be 15-20 minutes to leave time for
introductions and discussion. Please observe this time limit when
writing your paper.

CFP: Monsters and the Monstrous (UK) (6/2/06; 9/18/06-9/21/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Dr Rob Fisher

4th Global Conference
Monsters and the Monstrous: Myths and Metaphors of Enduring Evil

Monday 18th September - Thursday 21st September 2006
Mansfield College, Oxford, United Kingdom

Call for Papers
(please cross post where appropriate)

CFP: Monsters and the Monstrous (UK) (6/2/06; 9/18/06-9/21/06)

updated: 
Friday, March 10, 2006 - 1:25pm
Dr Rob Fisher

4th Global Conference
Monsters and the Monstrous: Myths and Metaphors of Enduring Evil

Monday 18th September - Thursday 21st September 2006
Mansfield College, Oxford, United Kingdom

Call for Papers
(please cross post where appropriate)

CFP: Rereading the New Criticism (4/8/06; MSA 8, 10/19/06-10/22/06)

updated: 
Friday, March 10, 2006 - 1:25pm
John McIntyre

                                Rereading the New Criticism

Commentators such as Gerald Graff and Mark Jancovich have noted that, since
the demise in the 1960s of the New Critical hegemony, contemporary critical
discourse has often promoted misunderstandings of New Critical projects.
The image of the New Criticism as ahistorical formalism, they suggest,
misrepresents the New Critics' commitment to practices and epistemologies
distinctive to literature; their engagement with social and historical
issues; and their cultural politics. These recent critiques encourage
rereading the work of the New Critics from a new perspective-one that
maintains critical distance on received ideas about their methods.

CFP: Rereading the New Criticism (4/8/06; MSA 8, 10/19/06-10/22/06)

updated: 
Friday, March 10, 2006 - 1:25pm
John McIntyre

                                Rereading the New Criticism

Commentators such as Gerald Graff and Mark Jancovich have noted that, since
the demise in the 1960s of the New Critical hegemony, contemporary critical
discourse has often promoted misunderstandings of New Critical projects.
The image of the New Criticism as ahistorical formalism, they suggest,
misrepresents the New Critics' commitment to practices and epistemologies
distinctive to literature; their engagement with social and historical
issues; and their cultural politics. These recent critiques encourage
rereading the work of the New Critics from a new perspective-one that
maintains critical distance on received ideas about their methods.

CFP: Rereading the New Criticism (4/8/06; MSA 8, 10/19/06-10/22/06)

updated: 
Friday, March 10, 2006 - 1:25pm
John McIntyre

                                Rereading the New Criticism

Commentators such as Gerald Graff and Mark Jancovich have noted that, since
the demise in the 1960s of the New Critical hegemony, contemporary critical
discourse has often promoted misunderstandings of New Critical projects.
The image of the New Criticism as ahistorical formalism, they suggest,
misrepresents the New Critics' commitment to practices and epistemologies
distinctive to literature; their engagement with social and historical
issues; and their cultural politics. These recent critiques encourage
rereading the work of the New Critics from a new perspective-one that
maintains critical distance on received ideas about their methods.

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