CFP: [Victorian] BWWC 2009
Seventeenth Annual British Women Writers Conference
University of Iowa, Iowa City
Call for Papers
Fresh Threads of Connection
April 2â€"5, 2009
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Seventeenth Annual British Women Writers Conference
University of Iowa, Iowa City
Call for Papers
Fresh Threads of Connection
April 2â€"5, 2009
Deadline Extension:
October 1, 2008
40th Anniversary Convention, NeMLA
Feb. 26-March 1, 2009
Hyatt Regency - Boston, MA
Vladimir Nabokov’s novel Ada involves authorial deception on multiple
levels. Nabokov believed that the job of the author was not to portray
reality, but to create it, and that is what both he and his protagonist,
Van Veen, do in Ada. Papers discussing the author’s role in the
relationship between art and reality in Ada will be considered. Please
send abstracts (as MSWord attachments) to Sarah Kingston,
sarahesanislo_at_aol.com.
Please include with your abstract:
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
Call For Submissions--Specs
“Faux Historiesâ€
Specs is a journal of contemporary culture and arts at Rollins College that
aims to create sympathetic interfaces between artistic and critical practices.
RUSSIA IN BRITAIN, 1880-1940
RECEPTION, TRANSLATION & THE MODERNIST CULTURAL AGENDA
Institute of English Studies, School of Advanced Study, University of
London
25-26 June 2009
Keynote speakers
Olga Kaznina, Senior Research Fellow, Gorky Institute of World Literature
and Art, Russian Academy of Sciences, Moscow
Laura Marcus, Regius Professor of English, University of Edinburgh
Laurence Senelick, Professor of Drama, Tufts University, Boston
Organisers
Rebecca Beasley, School of English and Humanities, Birkbeck College,
University of London
Philip Ross Bullock, Faculty of Medieval and Modern Languages, University
of Oxford
The Document Academy
Invites:
PROPOSALS FOR PAPERS
DOCAM '09
March 28-29, 2009
University of Wisconsin-Madison
School of Library and Information Studies
Helen C. White Hall
Madison, Wisconsin USA
DOCAM '09 is the sixth Annual meeting of the Document Academy, an
international network of scholars, artists and professionals in various
fields interested in the exploration of the document as a useful approach,
concept and tool in Sciences, Arts, Business, and Society.