"Crossing Borders as Creating Borders in Twentieth-Century Literature" (ALA, May 24-27, 2012; San Francisco, CA)
Frontiers, boundaries, margins, and borders occupy center stage in much recent scholarship. Influenced first by postcolonial theory and now by transnational studies, this paradigm shift has brought about heightened awareness of global interconnectedness and transnational circuits of production, meaning, and migration. For some scholars and public intellectuals, this increasingly globalized world has become marked by a rootless migratory sensibility (Arjun Appadurai) and a flattening of power relations (Thomas Freedman). But as performance artist and cultural critic Guillermo Gómez-Peña has suggested, the experience of crossing borders is not the same for all.