CFP - Mise-en-scene: The Journal of Film and Visual Narration (Issue 3.1 Spring 2018)
Open Call for Papers, Issue 3.1 (Spring 2018)
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Open Call for Papers, Issue 3.1 (Spring 2018)
Call for papers and proposals
Keynote Speakers Professor Clare Hemmings and A/Professor Jennifer Biddle.
National Symposium
22nd and 23rd of February, 2018
Victorian College of the Arts, University of Melbourne
Melbourne, Australia.
online submission form and further information http://www.wafa.net.au
This panel seeks papers that discuss the historical and cultural relationships between queerness/transness and ideas of safe spaces. Focal points may include, but are not limited to, college campus, gayborhoods, and the queer/trans internet. Areas of particular interest encompass the effects of the “non-profit industrial complex” on LGBTQ understandings of their needs, intergenerational mentorship and the relationship of the “traumatized past” to the “safe future,” how race, class, and gender affect queer ideation of safeness, utopian impulses in striving for safe spaces, and the relationship of queer theory to the resurgence of identity politics.
Call for Papers
Kurt Depner, Area Chair, Pedagogy & Popular Culture
Southwest Popular / American Culture Association (SWPACA)
39th Annual Conference, February 7-10, 2018
Hyatt Regency Hotel & Conference Center
Albuquerque, New Mexico
Proposal submission deadline: October 22, 2017
Asia Intermedialities: New Objects, Themes, and Methods at the Convergence of East and Southeast Asian Cultural and Media Studies
Centre for Cultural Studies
Department of Cultural and Religious Studies
The Chinese University of Hong Kong
25-26 May 2018
Convener: Elmo Gonzaga (Cultural and Religious Studies, CUHK)
“Trump’s ‘Bad Hombres’: Central Americans, Racial Projects, and the North American imaginary”
A Panel Proposal for LASA Congress XXXVI Barcelona, España, May 23-26, 2018
CFP: Preach It, Sister! A Roundtable about Women and Homiletics
Sponsored by the Society for the Study of Anglo-Saxon Homiletics at the 53rd International Congress on Medieval Studies
Western Michigan University (Kalamazoo, MI), May 10-13, 2018
Large Objects Moving Air 20188 January 2018
CRiSAP - Creative Research into Sound Arts Practice
London College of Communication
University of the Arts London
Full details are avaialble on the CRiSAP website
Theme
Disability studies has a problem with representation. Michael Bérubé locates the roots of this problem in two dominant trajectories of literary disability studies. The first trajectory largely pursues a logic of identification and revelation, a tactic for demonstrating the ubiquity of disabled characters and the overwhelmingly negative thematics attached to their peripheral bodyminds. The second trajectory depends on diagnosing characters as disabled that have not been explicitly designated as such.
The editorial committee at Artis Natura is searching for emerging artists and researchers to contribute to a thematic issue on its cultural online platform. This project has taken the form of a blog reviewed and published by an editorial committee, where researchers, artists, and writers can share reflections on the reciprocal relationship between humans and nature.
CFP: British Literature and Sociology, 1838-1910
What is it about culture and society that creates an environment in which an athlete is able to excel or fail in his/her respective sport? Which factors, such as racism, discrimination, financial advantage or hardship, propel or hinder an athlete’s achievements? This volume seeks to explore how the world of sports is often a microcosm of the real world and the many ways in which it uniquely reflects cultural and societal issues. Abstracts are welcomed from all disciplines. The papers should either favor a historicist approach or be grounded in disocurse analysis.
‘Memories of Empire’
INTERNATIONAL MEDIEVAL CONGRESS 2018, LEEDS
Cerae: An Australasian Journal of Medieval and Early Modern Studies is sourcing submissions to participate in a panel focused on ‘Memories of Empire’ for the IMC Conference at the University of Leeds (2-5 July, 2018). The focus of our panel is on the ways in which individuals or collectives used, or were influenced by, recollections and remnants of the Roman Empire.
Call for Papers Fake News and Weaponized Defamation: Global Perspectives
January 26, 2018
Southwestern Law School Campus
3050 Wilshire Boulevard, Los Angeles, CA 90010 Abstract deadline: September 25, 2017Completed paper deadline: January 5, 2018
The Journal of International Media & Entertainment Law (JIMEL), in association with the Southwestern Law Review and Southwestern International Law Journal, invites the submission of papers that fit within our 2018 theme.
Concept Note:
Refocus: The Films of Gurinder Chadha
Diaspora and Cultural Negotiations
Contact Email: shilpa.literature@gmail.com
Deadline for abstracts: November 30th 2017
Abstracts (300 words) or completed papers (20 minutes max) are invited for a proposed panel on "Utopia and Apocalypse" at the 2017 Society for Utopian Studies conference in Memphis, November 8-12. For the panel, I will give preference to papers that explicitly explore connections between utopia and apocalypse. I invite examinations of “utopia” in any of its flavors—utopia proper, dystopia, ambiguous or critical utopia, anti-utopia, etc. Papers not chosen for the panel will be forwarded to the general conference submission pool. Please send submissions by midnight EDT on Friday, August 11 to: Gib Prettyman, cgp3@psu.edu. Apologies for the short notice.
July 4-7, 2018
Australian National University, Canberra
The Australian National University (ANU) is proud to host the 2018 Literary Studies Convention. The convention will be held on the ANU campus in Canberra between Wednesday, July 4 and Saturday, July 7.
Call for Papers Now Open
Abstract of 150 words and biographical note of 100 words to:
julieanne.lamond@anu.edu.au
>>Download Call for Papers (223KB)
Deadline for submissions extended to 25 August 2017
Journal of Identity, Ontology, and Existences is an OA journal. We plan on publishing an issue three times per year, and we'll be accepting papers on a regular basis (January, July, and November). Our first issue will be set to publish at the end of January in 2018.
The core focus will be on the exploration and investigation of the concepts found in the title of the journal, with some interdisciplinary-ness. Hence, possible topics include, but are certainly not limited to:
Under the Light is focused mostly on discussing and reviewing indie and foreign films, but we are not limited to this. We'd like to create a sort of guide on how to approach films when analyzing and reviewing them (where the analysis or review will be academic in scope). There are books out there on this already, but we'd like to have more genre-specific papers for our guide. Here are just some possibilities:
Articles can be more general than this, or maybe even more specific (but just slightly so).
This three-day event—a two-day conference followed by a workshop on the third day—aims to interrogate the multiple and overlapping global processes underlying three emergent relational fields or modes of enquiry: precarity, populism and post-truth politics. As a network, we are committed to the pursuit of arguments and ideas that will foster articulation of research questions and positions and the construction of one or more interlinked, interdisciplinary projects. We seek to identify the interconnections between precarity, populism and post-truth politics in ways that will enable the development of cross-cutting thematic and theoretical approaches to these manifestations of global inequality, injustice and tension.
SCMS 2018 – Call for Papers: “Regional Resentment in Film and Television” Panel
Following Ellen Eve Frank's Literary Architecture (1979), this panel seeks historically-situated papers that investigate the narrative capabilities of architecture, particularly lived-in architecture. Taking Frank's principle question of how architecture can embody consciousness within literature, this panel expands the scope of her analysis. Although the “spatial turn” in literary studies has produced a great response, its focus regarding architecture specifically as a constructed form that interprets a given space is somewhat lacking. This panel invites projects that work to close that gap and produce a discussion that maps out connections between constructed spaces and the self.
CALL FOR PAPERS
C19: The Society of Nineteenth-Century Americanists
CLIMATE
Hosted by the University of New Mexico, Albuquerque, March 22-25, 2018
C19: The Society of Nineteenth-Century Americanists seeks paper, panel and roundtable submissions for its fifth biennial conference, which will take place March 22-25, 2018 in Albuquerque, New Mexico. We invite individual paper or group proposals on U.S. literary culture—broadly conceived—during the long nineteenth century.
Inaugural Conference of the 18th- and 19th-Century Studies Network
Conference website: http://clabi4.wixsite.com/1819network/2018-conference
University of Colorado Boulder
Thursday, April 26 – Saturday, April 28, 2018
This roundtable analyzes the possibilities of including social media in the foreign language classroom (with a focus on Italian), in order to create activities that might be appealing to the students’ interest in using new technologies. Different language instructors are using Facebook and Twitter (or other social media platforms) in the classroom, in order to increase the participation of their students or to design new assignments. This contributes to the creation of new spaces, outside of class, where the students can practice at their own pace, using tools with which they are very familiar, and with minimal supervision from the instructor when necessary.
Proposed Panel for Society of Cinema and Media Studies conference, March 14–18, 2018, Toronto, Canada
Jazz Research Journal special issue: Jazz Television
Asian Popular Culture / The Asian American Experience is a subject area that covers a wide variety of topics. Proposals for individual papers and panels on Asian popular culture or Asian American life and culture are welcome. The list of topics is suggested, but not limited to:
In her 2009 introduction to Critical Intersex, Morgan Holmes posits that intersex can never be “reduced to a pure, embodied state nor to a simple, cultural render in which ‘intersex’ is whatever we want it to be.” “‘Intersex’ then,” she continues, “is hailed by specific and competing interests, and is a sign constantly under erasure, whose significance always carried the trace of an agenda from somewhere else.” This seminar seeks to address intersex in relation to these “elsewheres” in literature, film, and visual studies. We encourage submissions that critically consider intersex in a broad range of texts, time periods, and genres, as a way of promoting and fostering a burgeoning field of “intersex studies.”
F. Scott Fitzgerald’s time in California remains under-researched. The MLA International Bibliography shows 50 scholarly works on The Last Tycoon, out of more than 2,300 scholarly works in that bibliography for just Fitzgerald. This session will explore Fitzgerald’s years in Hollywood, as a writer and as his works have been adapted. Submissions may consider works Fitzgerald wrote in California, including Tender Is the Night, The Last Tycoon, “The Pat Hobby Stories,” and his screenwriting for United Artists, MGM, and freelance, as well as his estrangement with Zelda, his alcoholism, and his death. Submissions that consider adaptations of Fitzgerald’s works for film are also welcome.