all recent posts

CFP: Constance Fenimore Woolson Society (1/3/06; ALA, 5/25/06-5/28/06)

updated: 
Monday, October 24, 2005 - 3:10am
Annamaria Elsden

The Constance Fenimore Woolson Society invites submissions for its panel =
at the annual American Literature Association Conference, to be held in =
San Francisco, May 25-28, 2006. The focus of the panel is open. Suggested =
topics include, but are not limited to, Woolson in the context of =
nationalism, travel, realism and regionalism, gender issues, and/or the =
magazine market of the nineteenth century. Papers are especially welcome =
that explore Woolson's work in relation to politics, however that term =
might be defined. Please send proposals via e-mail (no attachments, =
please) by January 3 to Annamaria Formichella-Elsden at <formichella_at_bvu.ed=

CFP: Constance Fenimore Woolson Society (1/3/06; ALA, 5/25/06-5/28/06)

updated: 
Monday, October 24, 2005 - 3:10am
Annamaria Elsden

The Constance Fenimore Woolson Society invites submissions for its panel =
at the annual American Literature Association Conference, to be held in =
San Francisco, May 25-28, 2006. The focus of the panel is open. Suggested =
topics include, but are not limited to, Woolson in the context of =
nationalism, travel, realism and regionalism, gender issues, and/or the =
magazine market of the nineteenth century. Papers are especially welcome =
that explore Woolson's work in relation to politics, however that term =
might be defined. Please send proposals via e-mail (no attachments, =
please) by January 3 to Annamaria Formichella-Elsden at <formichella_at_bvu.ed=

CFP: The War Body On Screen (1/9/06; collection)

updated: 
Monday, October 24, 2005 - 3:10am
Sean Redmond

The War Body on Screen

Call for Papers
Closing Date: Monday January 9th 2006

This proposal, for an edited collection of =91new=92 essays on the war =20=

body on screen, emerges from what the editors see as a new (post =20
9/11) concern for bringing into view the troubling image of the =20
ruined body, or the body that is absent from vision (as in dead and =20
gone, or captive and hidden). The corporeal figure of the suicide =20
bomber, the hostage, the soldier, the terrorist, and the innocent =20
victim, appear as cultural and ideological vehicles of meaning for =20
the way one is meant to understand conflict, war and terror in the =20
modern age.

CFP: The War Body On Screen (1/9/06; collection)

updated: 
Monday, October 24, 2005 - 3:10am
Sean Redmond

The War Body on Screen

Call for Papers
Closing Date: Monday January 9th 2006

This proposal, for an edited collection of =91new=92 essays on the war =20=

body on screen, emerges from what the editors see as a new (post =20
9/11) concern for bringing into view the troubling image of the =20
ruined body, or the body that is absent from vision (as in dead and =20
gone, or captive and hidden). The corporeal figure of the suicide =20
bomber, the hostage, the soldier, the terrorist, and the innocent =20
victim, appear as cultural and ideological vehicles of meaning for =20
the way one is meant to understand conflict, war and terror in the =20
modern age.

CFP: Betwixt and Between II: Memory and Cultural Translation (Ireland) (12/15/05; 4/18/06-4/21/06)

updated: 
Monday, October 24, 2005 - 3:10am
Stephen Kelly

Betwixt and Between II: Memory and Cultural Translation

Queen's University Belfast, April 18-21, 2006

The School of English and School of Languages, Literatures and Arts, =20
in association with the Seamus Heaney Centre for Poetry invite papers =20=

on:

Memory and Cultural Translation

In recent years, the cultural and historical work of memory has been =20
of considerable interest to scholars working in all areas of the =20
humanities.

This conference wishes to explore ways in which translation and cross-=20=

CFP: Betwixt and Between II: Memory and Cultural Translation (Ireland) (12/15/05; 4/18/06-4/21/06)

updated: 
Monday, October 24, 2005 - 3:10am
Stephen Kelly

Betwixt and Between II: Memory and Cultural Translation

Queen's University Belfast, April 18-21, 2006

The School of English and School of Languages, Literatures and Arts, =20
in association with the Seamus Heaney Centre for Poetry invite papers =20=

on:

Memory and Cultural Translation

In recent years, the cultural and historical work of memory has been =20
of considerable interest to scholars working in all areas of the =20
humanities.

This conference wishes to explore ways in which translation and cross-=20=

CFP: Betwixt and Between II: Memory and Cultural Translation (Ireland) (12/15/05; 4/18/06-4/21/06)

updated: 
Monday, October 24, 2005 - 3:10am
Stephen Kelly

Betwixt and Between II: Memory and Cultural Translation

Queen's University Belfast, April 18-21, 2006

The School of English and School of Languages, Literatures and Arts, =20
in association with the Seamus Heaney Centre for Poetry invite papers =20=

on:

Memory and Cultural Translation

In recent years, the cultural and historical work of memory has been =20
of considerable interest to scholars working in all areas of the =20
humanities.

This conference wishes to explore ways in which translation and cross-=20=

CFP: Medea: Mutations and Permutations of a Myth (UK) (12/15/05; 7/17/06-7/19/06)

updated: 
Monday, October 24, 2005 - 3:10am
Heike Bartel

Medea, the notorious infanticidal non-Greek wife of Jason, is a figure from Classical mythology who challenges the boundaries of behaviour and understanding and has proved both a creative and an intellectual challenge for countless writers, artists, composers and performing artists since Euripides and before.

We invite proposals for papers for the
cross- and interdisciplinary conference:

Medea: Mutations and Permutations of a Myth

Clifton Hill House, Bristol, UK
17th - 19th July 2006
Jointly organised by the Universities of Bristol and Nottingham

CFP: Medea: Mutations and Permutations of a Myth (UK) (12/15/05; 7/17/06-7/19/06)

updated: 
Monday, October 24, 2005 - 3:10am
Heike Bartel

Medea, the notorious infanticidal non-Greek wife of Jason, is a figure from Classical mythology who challenges the boundaries of behaviour and understanding and has proved both a creative and an intellectual challenge for countless writers, artists, composers and performing artists since Euripides and before.

We invite proposals for papers for the
cross- and interdisciplinary conference:

Medea: Mutations and Permutations of a Myth

Clifton Hill House, Bristol, UK
17th - 19th July 2006
Jointly organised by the Universities of Bristol and Nottingham

CFP: Medea: Mutations and Permutations of a Myth (UK) (12/15/05; 7/17/06-7/19/06)

updated: 
Monday, October 24, 2005 - 3:10am
Heike Bartel

Medea, the notorious infanticidal non-Greek wife of Jason, is a figure from Classical mythology who challenges the boundaries of behaviour and understanding and has proved both a creative and an intellectual challenge for countless writers, artists, composers and performing artists since Euripides and before.

We invite proposals for papers for the
cross- and interdisciplinary conference:

Medea: Mutations and Permutations of a Myth

Clifton Hill House, Bristol, UK
17th - 19th July 2006
Jointly organised by the Universities of Bristol and Nottingham

CFP: Ossi Wessi (12/15/05; 3/17/06-3/19/06)

updated: 
Monday, October 24, 2005 - 3:10am
BACKMAN, DONALD EUGENE

Ossi Wessi

Paper proposals are being accepted for the 14th Annual Interdisciplinary
German Studies Conference, March 17-19, 2006 at the University of
California, Berkeley. The conference theme is Ossi Wessi: 1989 and beyond.

CFP: Ossi Wessi (12/15/05; 3/17/06-3/19/06)

updated: 
Monday, October 24, 2005 - 3:10am
BACKMAN, DONALD EUGENE

Ossi Wessi

Paper proposals are being accepted for the 14th Annual Interdisciplinary
German Studies Conference, March 17-19, 2006 at the University of
California, Berkeley. The conference theme is Ossi Wessi: 1989 and beyond.

CFP: Literary Consumption (grad) (1/15/06; 3/17/06-3/18/06)

updated: 
Monday, October 24, 2005 - 3:09am
Equinoxes

Equinoxes 2006
Call For Conference Papers
"La consommation littéraire / Literary Consumption"
       
"Je ne sacrifie que a moy (aux dieux poinct) et a cestuy mon Ventre le plus grand de tous les Dieux." - Rabelais, Le Quart Livre.

The Department of French Studies at Brown University announces its 14th annual Graduate Conference

March 17-18, 2006

We invite graduate students to present 15-minute papers relevant to the dual theme of "literary consumption" - in texts dealing with consumption as well as the consumption of texts themselves. We welcome submissions that treat French and Francophone works, as well as broader cultural or theoretical issues, from the Middle Ages to the present.

CFP: Literary Consumption (grad) (1/15/06; 3/17/06-3/18/06)

updated: 
Monday, October 24, 2005 - 3:09am
Equinoxes

Equinoxes 2006
Call For Conference Papers
"La consommation littéraire / Literary Consumption"
       
"Je ne sacrifie que a moy (aux dieux poinct) et a cestuy mon Ventre le plus grand de tous les Dieux." - Rabelais, Le Quart Livre.

The Department of French Studies at Brown University announces its 14th annual Graduate Conference

March 17-18, 2006

We invite graduate students to present 15-minute papers relevant to the dual theme of "literary consumption" - in texts dealing with consumption as well as the consumption of texts themselves. We welcome submissions that treat French and Francophone works, as well as broader cultural or theoretical issues, from the Middle Ages to the present.

CFP: Literary Consumption (grad) (1/15/06; 3/17/06-3/18/06)

updated: 
Monday, October 24, 2005 - 3:09am
Equinoxes

Equinoxes 2006
Call For Conference Papers
"La consommation littéraire / Literary Consumption"
       
"Je ne sacrifie que a moy (aux dieux poinct) et a cestuy mon Ventre le plus grand de tous les Dieux." - Rabelais, Le Quart Livre.

The Department of French Studies at Brown University announces its 14th annual Graduate Conference

March 17-18, 2006

We invite graduate students to present 15-minute papers relevant to the dual theme of "literary consumption" - in texts dealing with consumption as well as the consumption of texts themselves. We welcome submissions that treat French and Francophone works, as well as broader cultural or theoretical issues, from the Middle Ages to the present.

CFP: Literary Consumption (grad) (1/15/06; 3/17/06-3/18/06)

updated: 
Monday, October 24, 2005 - 3:09am
Equinoxes

Equinoxes 2006
Call For Conference Papers
"La consommation littéraire / Literary Consumption"
       
"Je ne sacrifie que a moy (aux dieux poinct) et a cestuy mon Ventre le plus grand de tous les Dieux." - Rabelais, Le Quart Livre.

The Department of French Studies at Brown University announces its 14th annual Graduate Conference

March 17-18, 2006

We invite graduate students to present 15-minute papers relevant to the dual theme of "literary consumption" - in texts dealing with consumption as well as the consumption of texts themselves. We welcome submissions that treat French and Francophone works, as well as broader cultural or theoretical issues, from the Middle Ages to the present.

CFP: Studies in American Culture (12/1/05; journal issue)

updated: 
Monday, October 24, 2005 - 3:09am
McDonald, Rob

Studies in American Culture welcomes the submission of essays on all
aspects of American culture and from all scholarly and critical
approaches. We especially invite interdisciplinary studies of the
literature, language, visual arts, and history of the United States.*

=20

Our diverse readership includes academics and non-academics who come
from a variety of disciplines and backgrounds. We prefer fresh,
innovative essays that are informed by research and current critical
theories but which avoid alienating jargon.

=20

CFP: Studies in American Culture (12/1/05; journal issue)

updated: 
Monday, October 24, 2005 - 3:09am
McDonald, Rob

Studies in American Culture welcomes the submission of essays on all
aspects of American culture and from all scholarly and critical
approaches. We especially invite interdisciplinary studies of the
literature, language, visual arts, and history of the United States.*

=20

Our diverse readership includes academics and non-academics who come
from a variety of disciplines and backgrounds. We prefer fresh,
innovative essays that are informed by research and current critical
theories but which avoid alienating jargon.

=20

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